New York, New York, 1979
"His imagery was always the curious, blank Chinese tourist. I would say to Kwong that you don't fool me, I know, I can sense protest when I see it… this blankness was the way in which this culture at large expected him, as an Asian man, to exist. So he became a kind of a cipher, a smooth surface that because it was so impenetrable, this persona, it reflected everything!"
- Bill T. Jones